Using up bits of printed and dyed silk

I wove strips of dyed silk noil to form a background for this painted helenium. The hand embroidery is done in my dyed threads and the helenium painted in Derwent Inktense watercolour pencils. They are vibrant high pigment pencils that once dry are fast.

Comments

Botanical printing on paper

Botanical printing on paper is cheap and relatively easy. You can make it as simple or sophisticated as you want. You can use up natural dyes and small amounts of plant material leftover from larger projects and use more or less any paper you can lay your hands on. Equipment Paper - this can be artist paper eg cartridge, watercolour or sketchbook: plain wallpaper aka lining paper, pages from old book, old envelopes, copy paper, repair tissue, kraft paper or thin card. In fact try anything that isn’t too thin or shiny. Leaves and flowers - use the ones you know print well on fabric either because they have high tannin or give good colour. Leaves that have a good shape but are not good printers can be used as resists either tucked under a printer or when using a dye. Flowers especially daisy shaped ones work well. Tiles or similar- I prefer to use leftover ceramic tiles cut to size to fit my fish kettle. However I know that Rita Summers aka Gone Rustic...

RHUBARB DYEING

Whilst in lockdown the garden has been receiving a lot of attention, especially the areas that have been left unattended for several years. One such patch was the rhubarb bed. The original plants were over ten years old and this year they refused to produce any useable stalks. So up they came and after investigation the roots weren’t even suitable to split and replant they were rotten and woody. So the decision was made to replace with new and I got to chop up the ‘good’ bits for some natural dyeing. I had successfully made a mordant from leaves before but never used the roots. After cleaning, peeling and chopping they looked like this. Next it was time to consult Jenny Deans book ‘Wild Colour’. The 600gms roots were brought to a simmer for 30 minutes. Meanwhile I prepared my fabric. Animal fibres give the best results and although fabric does not require a mordant I chose to mordant my silk habotai and noil with Alum and Cream of Tartar. A piece of 50...

AUSTRALIAN BOTANICAL PRINTING SAMPLES

Whilst in Australia on our month’s trip, David sketched (@davidsteedenart on Instagram if you are interested) and I did some botanical printing with the local leaves. The image below gives an indication of 4 of the results I achieved. I brought along with me some green tea teabags and ferrous sulphate powder. This allowed me to play around with strengths and combinations. Top left is a white linen, no alum or AA mordant dipped in iron with a green tea kitchen towel blanket. Top right is vintage Lancashire cotton, no alum or AA mordant dipped in iron with an kitchen towel green tea blanket. The leaves were soaked in vinegar. Bottom left is silk noil no alum or AA mordant dipped in iron with a green tea kitchen towel blanket. Bottom right is vintage linen no alum or AA mordant dipped in iron with a strong green tea kitchen towel blanket. Note how the results all vary. Due to varying fabrics, leaves used, length of time dipped, strength of dips. ...

Inspired Textiles

Search This Blog